Drawbacks and workaroundsĪt this point, you can apply any final level trimming on the mastered mixes, either by adjusting the gain of each mastered mix individually, or via channel-level automation. Alternatively, if your hardware doesn’t provide internal audio busses, you can simply export each mix to a new mastered version and then reimport this to a ‘mastered’ track. This bouncing can be done using an internal auxiliary audio bus if your sound hardware provides such, playing from the ‘unmastered’ track whilst recording on the ‘mastered’ track.ĭoing this has the advantage of allowing you to monitor proceedings for peaks or artefacts that you hadn’t noticed while setting up. Once satisfied with the montage’s layout, you then work through each mix, setting up the processors and bouncing the results to a new, mastered mix.
And if you happen to have a nice hardware compressor, EQ or whatever in your studio, you can set these up as external plug-ins that can then be included in your mastering processing chain.
It’s common to use specialised processors from third-party developers for performing this mastering processing and these can bring a certain depth and character to the table, but Cubase’s built-in processors are more than capable of creating excellent results without you needing to splash out on expensive models of boutique hardware. Typically, with this setup, you would add mastering processing as inserts on the channel(s) carrying the unmastered mixes. This is also a good opportunity to play around with the running order and flow of your montage. Generally, you would put all of the mixes onto the same track, but if creating a montage from a small number of mixes, there can be some advantages to giving each its own track/channel in Cubase (for reasons that should become apparent in a moment). Once you’ve perfected your mixes and have created a collection of unmastered files for your montage, Cubase offers a few different approaches, but all start by importing your unmastered mixes into a new project and laying them out on the timeline.
Point Blank has been awarded TEF Silver recognition for teaching excellence by the Office for Students, UK and was shortlisted for Best Specialist Institution 2022 at the WhatUni Awards.This being the case, best practice tends to be to leave mastering processing out of a mix so that it can be applied later when the music is being compiled into an album/montage. All our content features highly interactive teaching-see our exclusive features for more information. As you become part of our vibrant online community you can partake in additional creative challenges and workshops to make connections with collaborators worldwide. While studying online at Point Blank, you’ll benefit from personalised 1-2-1 Tutorials, weekly Masterclasses and drop ins with a range of industry experts including Studio Lab Time with our studio technicians.
Cubase 8 pro tutorial professional#
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