However, I soon realized that the aberration was not evenly distributed, which led me to believe that the three imaging chips may have become misaligned during shipping.
My initial assumption was that the lens was the culprit. The highest measured native contrast I could coax out of it was roughly 6,000:1.Īfter the initial setup, I noticed significant chromatic aberration in the image. Most picture modes covered around 88% of the DCI/P3 gamut used for HDR mastering, as well as 100% of the Rec.709 gamut used for SDR content. There are a couple areas where I had hoped to see some progress in performance versus prior generations, namely color gamut and native contrast, but this was not the case. What matters is Sony supplies the presets and tools needed to optimize the projector.
#SONY PROJECTOR TV PRICE PRO#
If you don't get a pro calibration, I recommend using the more accurate modes for the best picture quality, but what works best for any given installation will ultimately depend on the combination of room, screen, and projector. What's remarkable is that all these modes are significantly brighter than the 1,500 ANSI lumen rated peak brightness of the VW325ES. Cinema Film 1 offers 1,780 lumens, Cinema Film 2 is good for 1,680 lumens, and Reference puts out 1,690 lumens. The home theater-friendly modes are all very close in output. Using a light meter, I measured the peak light output of each picture mode and found Game offers 1,690 lumens. And you lose little even after calibration or optimization. In my tests, I measured 1,970 lumens for both SDR and HDR content. In the Bright Cinema mode, the projector's ANSI rating is accurate. However, this is not the case with the Sony XW5000ES projector.
#SONY PROJECTOR TV PRICE MOVIE#
After calibration or optimizing for movie playback, the actual brightness can be significantly lower than the advertised rating. When it comes to light output, some projectors advertise an ANSI lumen specification that is not realistic. Modes like Photo, TV, and Bright TV are not accurate and do not provide any advantage in terms of brightness, saturation, or contrast when compared to the more precise modes, such as Cinema Film 1, Cinema Film 2, Reference, Game, Bright Cinema, and IMAX Enhanced (for use with IMAX Enhanced content). The picture modes offered by the Sony XW5000ES projector are similar to those of previous models. However, since installation is typically a one-time process, sacrificing powered zoom, shift, and focus is perhaps a worthwhile trade-off for the benefits of a laser light source at this price point.
The main difference with the XW5000ES versus older models like the 325ES is that the lens is now manual, which can make initial installation more challenging (focusing becomes a two person job). However, the lens is sharp enough to produce clear images from a normal viewing distance. Like Sony's previous entry-level 4K home theater projectors, the lens is not as high-quality as those used in more expensive models. Finally, the projector's processor is more powerful than previous models.Īccording to Sony, the projector is slightly smaller than its immediate predecessor due to a reduction in the dimensions of the SXRD imager chips and the domino effect that has on the rest of the components, including the lens. This is different from older models, which had a resolution of DCI 4K, or 4,096 x 2,160 pixels. Additionally, the new imagers are native UHD, with a resolution of 2,160 x 3,840 pixels. The main difference to note is that the projector now uses a laser light source instead of a bulb. If you are already familiar with Sony's SXRD projection technology, you won't be surprised by how this projector performs.
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